Wednesday, 15 August 2012

Interview from The Crypt: Gary Val Tenuta

The resurrected Interview from The Crypt is honoured to bring you Gary Val Tenuta, author and book cover designer.

First of all I would just like to say welcome to The Crypt and thank you for stopping by today.

My pleasure. I think. I’ve never been inside a crypt before. Aren’t there any lights in here?

Why don’t you introduce yourself to my Creatures of the Night and tell us a little about yourself.

Hello creatures. My name is Gary Val Tenuta and I’m a wordoholic. I’m also a songwriter, an artist and a book cover designer. My illustrations and articles dealing with the UFO phenomenon and other subjects related to the paranormal and esoteric lore have been published in Fate Magazine in the U.S., Beyond Magazine in the U.K., and other periodicals. I live in a cozy condo in the Great Pacific N.W. of the U.S., near Seattle with my big black cat, Bear, and a grumpy gremlin who guards an ancient ivy-covered fountain on my patio.

When did you first begin to write? Was there a specific moment or did something happen to make you think ‘I could be a writer’?

I wrote my first short story, a sci-fi tale called The Beam From Saucer-X when I was about 12 years old. It was really good. I know it was, because my Mom told me so. Then, when I was about 14, I discovered Edgar Allan Poe. I think that was the real turning point for me. His stories and poems were like nothing I’d ever read before. I didn’t even know anything like that existed. I couldn’t get enough of it. I wanted to write just like him. A couple years later, I discovered H. P. Lovecraft whose tales were even darker and stranger than those of Poe. I was hooked.

What are you currently working on? Would you mind giving the readers a quick synopsis in 100 words or less?

I’m working on a novel called Channel.  A young man has a blog called The N.O.S.E. Knows. The acronym stands for News Of Strange Events. He covers weird news stories and gets the grist for some of his commentary from New Age websites. One of those sites features messages from trance-channelers who claim to be channelling messages from a group of highly evolved beings called The Galactic Federation of Light. He’s pretty much a skeptic when it comes to that sort of thing but he finds it amusing. Soon, he learns that two members of that site have mysteriously died from unknown causes. He also discovers the enigmatic old hippie woman who lives in his apartment complex may have intimate knowledge about the unexplained deaths. His obsession with getting to the bottom of the mystery leads him to discover something that should only happen in science fiction movies. He also discovers that, if he’s not careful, he just might end up being the next victim.

Where do you draw your inspiration for your stories, characters and settings?

Could be from anywhere and often when I least expect it. The inspiration for my current novel, Ash: Return Of The Beast, came one afternoon as I was browsing the shelves in a second-hand bookstore. I came across a biography of the infamous occultist, Aleister Crowley (1875-1947). Due to my life-long fascination with all things paranormal, I was at least somewhat familiar with Crowley. I knew he identified with the number 666 and referred to himself as “The Beast”. I knew he was revered as a master of ritual magic or what some call the Dark Arts. I knew his picture appeared on the cover of the Beatles’ Sgt. Pepper album and I knew that several musicians of the hard rock variety were into him. I knew he’d been branded by the British press as ‘The Wickedest Man In The World’ and I knew the Italian dictator, Benito Mussolini, had kicked him out of Italy. I even had a copy of a strange little book entitled, Liber Al Vel Legis (The Book Of The Law), that was allegedly dictated to Crowley by a nonhuman entity near the Great Pyramid in 1904.

What I didn’t know was that Crowley was cremated in England and that the urn containing his ashes was sent to a man named Karl Germer in New Jersey. Germer buried the urn under a large oak tree on his property. Sometime later, he decided to move to California and he wanted to take the urn with him. But, when he went to dig it up, he found it was no longer there. How it disappeared and where it ended up has remained a mystery to this day. When I read that, the light bulb went off in my head. I thought, “Man, if that isn’t a set-up for a good paranormal mystery, I don’t know what is.” Three years later, I had it finished and out on Kindle. The paperback edition is in the proofing stages and will be available before the end of this month.

Is there one particular genre you prefer writing in and is there a genre you would never attempt and if so why?

All of my writing tends toward the paranormal and often includes elements drawn from esoteric subject matter, ancient mysteries, fringe science, those sort of things. It’s what I know, so it’s what I write.

As much I would probably enjoy writing erotica, I don’t think I would try it. I’ve read very little erotica but enough to know that if it isn’t done really well then it just comes off as kind of… um… schlocky. Is that a word? I’m too busy trying to hone the craft in my own genre. Although I will admit I thought about switching the ‘a’ and the ‘r’ in ‘Gray’ and writing a parody called Fifty Shades of Gary.

If you weren’t a writer/ couldn’t write anymore what would you do?

I’d be doing the other thing that I do now, designing book covers.

If you could become a member of the opposite sex for 24 hours what would be the first thing you would do?

Buy a pair of designer shoes?

Which fantasy creature/being do you like the most?

I’ve always been partial to the werewolf.

If you could be your favourite fantasy figure what would be the first thing you would do?

If I was the werewolf? I’d lobby Congress to ban silver bullets.

What scares you the most?

The thought of being buried alive.

Favourite film?

Just one? Oh, man, that’s too hard. I have so many favorites. Romancing The Stone, The Thirteenth Floor, Dark City and Close Encounters of the Third Kind are way up at the top of the list.

Worst film you have ever seen?

Oh, that’s too easy. The Mission.

Favourite book?

Easy again. Dan Brown’s Angels & Demons.

When you go shopping what is the one thing that you always HAVE to buy?

A book.

Going back to favourite film write an erotic scene featuring the main characters in 100 words or less.

Now, what’d I just say about that?

And finally, just for a light hearted end to the interview.
What words would you want etched on your tombstone ?

Wait! I was only sleeping!

Thank you for joining me today and I would like to wish you all the best in future endeavours.

It was my pleasure. Thanks very much for inviting me.

BUY LINKS (or click on the cover image)


ASH: Return of the Beast is a modern-day supernatural crime thriller, a tale of revenge steeped in the occult. The story is a work of fiction inspired by a little known factoid about the death of Aleister Crowley (1875-1947), the notorious occultist the British press once labeled as "The Wickedest Man In The World". Crowley’s body was cremated but the unexplained 1947 disappearance of the urn containing his ashes has remained a mystery… until now.

This diabolical tale propels the reader through a series of curiously interconnected events spanning the years from 1947 (and the death of Aleister Crowley) to the 1990s and the coming-of-age (and eventual stardom) of a "death-metal" rocker with the unlikely name of Rodney Duckworth.

The time-line shifts to the present day where Brian Kane, a gruff and gritty street-worn Seattle Police Detective, reluctantly teams up with the mysterious Rowena Ravenwood, an attractive and rather unconventional female FBI agent assigned to a most unusual investigative unit. Their task is to figure out why good, healthy, God-fearing preachers in their fair city are suddenly dropping dead... one at a time... nine days apart.

What is the meaning of the strange symbols branded onto the bodies of these hapless victims? Are they all part of some bizarre cult? No eyewitnesses. No fingerprints. Is it really murder? Where’s the evidence? And what is the disturbing secret that Detective Kane is holding so close to his chest?

The investigation catapults Kane and Ravenwood headlong into life-threatening situations as they wind their way through the strange, dark labyrinth of the world of the occult and find themselves battling for their lives against the powerful forces of ritual magick.

A bloody carnage of unimaginable horror is about to be unleashed upon the world. The survival of the entire human race hangs in the balance and the clues to help solve the case are in desperately short supply. Worse yet, so is the amount of time left to stop the mysterious killer's reign of terror before all Hell breaks loose. And – according to Special Agent Ravenwood – that’s not just a figure of speech.


"Wow...Dan Brown fans watch out! It's gripping, tantalizing... I was hooked by the end of the first chapter and literally unwilling to put it down!" - Nikki, book blogger at Close Encounters With The Night Kind

"A riveting occult crime thriller. I couldn't put it down." - Rai Aren, author of Secret Of The Sands

"A close-the-drapes-and-hang-onto-your-seat-read. Highly recommend it." - Meredith Wright Hutchins, attorney, Olympia, WA

"An ending you will never see coming! Highly recommended!" - Lila L. Pinord, author of In Time, Min's Monster, and Skye Dancer

"Filled with magick... at times drawing one into the evil." - Ellen In Atlanta, reviewer

"Plenty of atmosphere and a compelling narrative. A worthwhile roller-coaster ride." - Bob Freeman, author of The Descendant

"What a great story – fast paced and exciting, right to the end." - Roxanne Bland, Of Werewolves And Other Strangers

"Excellent read! Exciting, really moves right along & a wee touch of romance. You wont be sorry!" - Sue M., Stanwood, WA

"A tingly, spine-chilling little entry that belongs in any true horror aficionado's collection." - Wendy Potocki, author of The White Lady Murders

"A page turner... dragging you into a world where few authors have successfully gone... to the Gates of Hell and back! The thrill ride alone is worth the purchase." - Valerie Bowen, author of the Mind of a Madman series

Excerpt from Chapter-17 of Ash: Return Of The Beast

Having set each of the previously used candles aglow, Cowl placed the four virgin candles on the remaining points of the Lucifer Seal. He left number six alone for the moment and lit numbers seven, eight and nine without ceremony. Then he returned to the sixth candle, Lalartu. He raised it above his head, giving honor to the Old Ones, then set it back in place. He lit it, bowed his head and recited the evocation to conjure the demon, Lalartu, into service.
“Harok uzni hadahs. Harok uzni hadahs. Harok uzni hadahs! Lalartu, sixth Offspring of the Old Ones! Blood demon! Dweller amongst the undead! Come! Thou who dost slay mothers at the moment of birth! Come! Carry me to the sixth of nine and light the path for my return! Then we shall be as One! Harok uzni hadahs!”
The sixth candle began shaking, vibrating furiously. The flame flared beyond its natural capacity filling the room with a blinding light. Cowl's body went limp as the intense brilliance subsided.
At that moment, Cowl's virtual double--enshrouded in a hooded robe--materialized in the restroom at the concert hall where Pastor St. Martin was in the process of unzipping his pleated black trousers.
Deep in thought about the protest he was about to lead against the Death-Metal band, Mega Therion--that abomination and corruptor of innocent youth--the preacher was about to relieve his straining bladder when his attention was suddenly drawn to an unexpected reflection in the mirror before him. He froze, staring at the dark hooded figure standing not five feet behind him. A crackling sound came from above. St. Martin looked up. The fluorescent lights on the ceiling were flickering like strobe lights. A moment later the room went dark.
St. Martin panicked. He spun around, his piss spattering onto the green tiled floor. One fluorescent tube in the corner flickered and came on, barely illuminating the darkness with a dim, bluish glow. “Jesus!” he said, fumbling awkwardly at his zipper.
“Not exactly,” the Hooded Figure replied from the shadows. The haunting voice came from deep within the folds of the large drooping hood. “But you would do well to pray.” The Hooded Figure then took one step forward from the shadows into the gloomy half-light.
The preacher jerked back with a sharp gasp. He searched for a face somewhere in the dark void of the hood but he could only catch a tiny glint of light reflecting off the whites of the eyes. What is this? He believed in demons but… No… this must be some kind of a joke. A sick joke.
The Hooded Figure took another step forward, then stopped.
The preacher sucked in another gasp and shuffled backward until he was pressed up against the hard, cold porcelain urinal.
The Hooded Figure lolled its head to one side, then the other, casually studying the pathetic excuse for a man who was shaking like a timid mouse trapped in a corner.
The mouse swallowed hard, his eyes darting this way and that, wanting to run but unable to move. “Who are you? What do you want?”
The Hooded Figure advanced another step but stopped as its foot made a splat in the puddle on the floor. It looked down and shook its head. “Tsk-tsk. What have you done? You're a very bad little boy.”
“Now who's going to clean that up?”
“I… I don't--”
“You don't know? Then I shall tell you.” The Hooded Figure's fatherly tone was gentle but firm. “You. You're going to clean this up.”
“Wh--what?” The preacher's lower lip was quivering.
“You're going to do exactly as I say. Now get down on the floor.”
“Don't hurt me. Please!”
The Hooded Figure raised an arm as if to strike the man. “The floor, goddamit! Now!”
St. Martin dropped to his knees, trembling. Without looking up, he muttered, nearly sobbing. “Why are you doing this? What do you want?”
“Not on your knees, you fucking imbecile. Down! On your stomach!”
St. Martin slowly lowered himself face down into the stench of his own urine.
The Hooded Figure nodded approvingly. “Very good. Now squirm around like the worm you are until you've sopped up every last drop of your filthy mess.”
The preacher's will to resist was overpowered by a force beyond his comprehension. Whimpering like a helpless child, he found himself squirming and writhing around in his own liquid waste until his clothes were soaked.
“Get up.”
St. Martin struggled to his feet, his legs quivering, his hands and face glistening wet, his clothes damp and wrinkled. He stunk of piss. The unpleasant odor wafted up into his nostrils. A chunk of vomit lodged in his throat. He gagged it down. It came up again. He swallowed. It burned his throat. His eyes welled up.
The Hooded Figure nodded. “That's much better, yes.”
 “I--I don't understand.” The preacher's voice was wavering and weak.  “What do you want from me?”
“Silence would be good.”
Silence? Somehow a moment of clarity had found its way into St. Martin's state of confusion and fear, offering a glimmer of hope. There must be other people in the building! He summoned what little will power he had left and acted on his flash of inspiration. “Let me go or I'll yell for help. I swear to God, I will.”
“Well, that would just ruin everything. But, if you insist, then by all means, please. Be my guest.”
The preacher was surprised by the response but wasn't about to waste another moment. He opened his mouth to yell but nothing came out. He tried again, every muscle in his throat straining, arteries bulging, his face contorting into hideous shapes. Again and again and still nothing. Finally, breathless, confused, shaking with fear, he sank to his knees and wept, pleading to God for this nightmare to end.
The Hooded Figure looked down at its victim and spoke in a measured, sympathetic tone. “I know. But it's almost over. Now get up and come toward me.”
The preacher's mouth moved as he tried to speak. Toward you? Again, no sound, but he could hear his own words clearly inside his own head.
“You heard me,” the Hooded Figure said. “Come here.”
The preacher then realized his thoughts were somehow being perceived by the hooded creature. The realization frightened him to the point of near madness. He was no longer alone in the sanctuary of his own mind. That frail barrier had been breached. The intruder was inside.
St. Martin's head dropped to his chest and he obeyed the command. He prayed as he moved against his own will toward the hooded figure. Our Father…
The Hooded Figure recited the prayer along with the preacher. “…who art in Heaven…”
The preacher struggled to hear his own inner voice over that of the monster. …deliver us from evil… But with those words he realized the futility of the effort. He left the prayer floating in limbo.
“What's the matter?” the Hooded Figure said. Forget the words?”
St. Martin's head lifted slowly as if it had become a tremendous weight. His eyes were empty.
“Too bad.” The Hooded Figure's voice was contemplative, almost compassionate. “It's a nice prayer, actually.” Then his tone switched abruptly. “But, no matter. We've got a couple more things to get done here. So let's get on with it, shall we? Come closer.”
St. Martin moved another step closer and waited--for what, he could not fathom. He didn't even try. He was an empty, distorted reflection of the once dynamic man who had, for years, passionately served the very God that had now, for some inscrutable reason, abandoned him to the will of this monster.
 “Now,” the Hooded Figure said, “I'm going to heal you.”
“C'mon. You know. The laying on of hands?” It raised an arm and extended a hand out of the dark sleeve toward the preacher's face. “Close your eyes. This might hurt a little.”
St. Martin's eyes suddenly clamped shut in spite of his straining to keep them open and the creature began to chant.
“Kah-hahdin azahn. Dinjah Dinjasa. Kah-hahdin azahn. Dinjah Dinjasa!”
The very sound of the strange words caused St. Martin to recoil in horror. God in heaven! Help me!
The Hooded Figure carried on, oblivious to the preacher's torment. “Hear me, O Lucifer! Son of the morning! Approve this invocation with the seal of my Master!” The Hooded Figure pressed its hand against the preacher's forehead and pushed hard. “Thy will be done! Aum. Ha!”
St. Martin's eyes flew open, bulging from their sockets. A searing pain ripped through his skull and burned like a hot poker under his rippling skin. He knew his screams, his desperate wailing cries for help, were heard by no one but himself, inside his own head. Paralyzed by the will of the monster, he was helpless to do anything but endure the torture. How many times during his ministry had he told people they were destined for Hell and now Hell had come to him.
The hooded figure withdrew its hand and stepped back.
St. Martin collapsed to the floor, a quivering heap of a shattered soul. Crowley's rendition of the Lucifer Seal was now seared into the flesh of his forehead.
The Hooded Figure nodded approvingly and knelt beside the preacher. “I told you it might hurt a little.” The tone was mockingly sympathetic. “Now just relax. I'm going to prepare you for something special.”
The preacher's eyes pleaded for mercy.
“I know, I know. But we're just getting to the good part. You'll like this. Trust me.” The Hooded Figure slowly unbuttoned the preacher's shirt, spread it open, rolled the undershirt up to the man's chin and gazed upon the smooth canvas of naked flesh. “Ahhhh, yes. Very, very nice.”
The preacher struggled against the psychic straightjacket this monster had strapped around him. It was no use. His inability to move of his own will was pushing him ever further toward the edge of madness. He tried again to catch a glimpse of his tormentor's face but looking into the darkness of the cavernous hood was like staring into the proverbial valley of the shadow of death. I will fear no evil
“Ah, yes,” the Hooded Figure said. “The ol' twenty-third Psalm. Very good. How's it workin' for ya? You know, my dear mother used to read that to me at night, just after making me recite something about 'if I should die before I wake'. I slept real good with that going through my mind. Do you make your kids say that one? I bet you do. I bet you fucking make your kids say that one.”
A pitiful noise gurgled up from St. Martin's throat.
 “Yeah, that's what I figured.”
The restroom door suddenly rattled.
The preacher's eyes lit up. Someone was trying to open it. I knew there had to be someone else here! Help! Please!
The door rattled again.
Once more the preacher's silent pleas echoed inside his own head. Help! Please, help me!
The rattling stopped. “Damn it!” came a frustrated voice from beyond the door. The curse was followed by the barely audible sound of fading footsteps. The preacher's last glimmer of hope was walking away.
“Oh, come on. You didn't really think I'd let just anybody walk in here, did you? This is our time, just you and me. Now, be a good little boy and close your eyes. No peeking.”
Once again, St. Martin's eyelids fluttered uncontrollably as they struggled to resist the power that was drawing them closed. Dear God, this isn't happening! Tears squeezed out from behind his clamped eyelids. Don't let… Oh, Jesus… What is that?
The Hooded Figure was pressing its finger against the preacher's bare chest and slowly, skillfully, it was tracing out the sigil of the sixth demon.
The scream that tried to escape from St. Martin's lungs would have shattered the walls. The blistering sensation beneath his skin followed along the winding path of the Hooded Figure's finger like a slow burning fuse. The welts began to rise up on his flesh in the shape of the unholy sign.
“Lalartu!” the Hooded Figure bellowed. “Sixth Offspring of the Old Ones! Blood demon! Dweller amongst the undead! Thou who dost slay mothers at the moment of birth! This is your sign! I give you this soul!”
St. Martin's eyes flew open. His nerves were on fire, his body buckled and twitched as if he were being electrocuted. He saw his wife waving goodbye as he left the house that morning--He heard his children playing and laughing--He saw the dog he accidentally hit with the car ten years ago--He saw his mother packing his lunch for his first day at school--The wrist watch his father gave him for his sixteenth birthday--The Bible he kept by the bed with all the important passages underlined... A moment later he was motionless, delirious and defeated, begging God to let him die.
The Hooded Figure rose up and looked down at the preacher. “'I form the light and create darkness. I make peace and create evil. I, the Lord, do all these things.' Isaiah forty-five, verse seven.”
St. Martin barely heard the words through the pounding of his own pulse throbbing inside his ears.
 “Do you know the phrase, coup de grace? The stroke of grace? Well, that my dear St. Martin, is the holy gift you're about to receive.”

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